Sale to Crossed Genres Magazine

Just a quick note to say I’ve sold my short story “Forge and Fledge” for inclusion in the “Runaway” issue of Crossed Genres Magazine.

I’m very excited to work with CG again after participating in their Fat Girl in a Strange Land anthology a while back.

If you are interested in speculative fiction that bucks the norm, be sure to check them out. In fact, they are in the midst of a subscription drive—the best way to see my story when it’s published!

That’s it for me this week. Happy writing!

Fits and Starts

Between the holidays and some personal issues that I won’t go into here, these past few months have been rather…stressful for me. Of course, my writing routine has suffered, along with the blog. A self-perpetuating cycle of guilt and exhaustion that I’m just now getting out of...in fits and starts.

If you’ve had similar trouble, I recommend reading (Not) Writing My Way Through Stress from the Inkpunks blog for strategies to stay productive when the world conspires against you.

 Image courtesy of stopherjones of Flickr

 

Anyway. It’s not all been doom and gloom. I’ve had a few pieces of good news.

First, my story “Daughters of Demeter” which originally appeared in Eternal Haunted Summer will be reprinted in Potnia: A Devotional Anthology in Honor of Demeter published by Bibliotheca Alexandrina this spring. It’s always exciting to see my digital projects find their way in print.

Second, I’ve made my first SFWA-qualifying sale. I’m happy to announce my story “Against the Wind” will be appearing in an anthology of stories set in S.M. Stirling’s Emberverse, a series of post-apocalyptic books set in an alternate history where technology fails and humans struggle to survive in a changed world. I’ll be sure to share more details as this project progresses.

So as with anything, there’s good with bad. Either way, I’m writing again, and for now, that’s enough.

Cover for The Future Embodied anthology

Today, I'm happy to share with you the cover for the The Future Embodied anthology, which I'm thrilled to have a story in.

The artist is Galen Dara, who I had the pleasure of meeting at this year's WorldCon where she won a Hugo award for best fan artist. And I think her work speaks for itself.

For more updates about the anthology, keep your eye on the project's blog.

Story Sale to The Future Embodied

I’m pleased to announce that my story “Resonance” has sold to The Future Embodied, an anthology of speculative stories exploring how science and technology might change our bodies and what it means to be human.

After a successful Kickstarter campaign, editors Jason Andrew and Mae Empson announced a call for “character-driven, near-future stories of how the trajectory of current science and technology could impact our daily lives and choices.”

My story “Resonance” is about two friends who meet for the first time after already having a very intimate virtual relationship facilitated by implants.

This story originated at Taos Toolbox, where we were asked to write a short story the second week of the workshop. The story benefited from the collective genius in the room (check out my fellow Toolboxers here). After incorporating everyone’s feedback, I workshopped it with my local writing group and my crit partners. Then I sent it off into the world. I’m very glad it has finally found a home.

The anthology is slated to be released in December 2013. Check out the table of contents and all the other great authors who have contributed stories. 

Happy writing!

New Story Live

Just a quick note to say my story "Daughters of Demeter" is now live at Eternal Haunted Summer.
 

The story is a re-imaging of the Persephone/Hades myth. I always thought Demeter's scorched earth policy when Persephone disappeared was a bit of an overreaction, which made me wonder just what else she would do to keep her daughter safe.

And if you enjoy mythology and other pagan themes, check out the rest of the Autumn Equinox issue.

Happy writing!

Story Trailer for Souvenirs from Another Life

Big thanks to Justin Swapp, a fellow contributor to The Memory Eater anthology, who put together the trailer for my story as well as others in the anthology.



Go here to see more trailers for the anthology.

Wednesday we'll return to more craft and writerly goodness, I promise!

My Story "Chicken Feet" Now Available

I'm pleased to announce that my story "Chicken Feet" is now available for your listening or reading pleasure through Wily Writers.

Wily Writers is a twice-monthly podcast series. Stories are speculative in nature, responding to monthly themes. I wrote "Chicken Feet" for their call for young adult post-apocalyptic tales back in October 2011. I actually wrote a story before this one, but realized I had a novel on my hands. I went back to the drawing board and wrote "Chicken Feet" and the other story has taken over is now my novel-length WIP.

Big thanks to Wily Writers editor Angel Leigh McCoy, guest editor Ripley Patton, and voice actor Leah Rivera for her audio performance of my story.

Wily Writers just started offering professional rates for stories in 2012. I've had a very positive experience working with them and would encourage you to take a look at the guidelines for their upcoming calls for the year.

Thanks!

The Story behind the Story – Fat Girl in a Strange Land Edition

When I saw the call for the Fat Girl in a Strange Land anthology for Crossed Genres Publications, I knew I wanted to submit a story. When I see specific calls for anthologies or special issues of magazines, it can take me a while to warm up to the occasionally bizarre ideas editors are looking for. But not this time.

So the next question became, how to do this call justice? There were two required elements: a fat, female protagonist and some sort of journey to a strange land (however conceived). The fat part I had no problem with. Though I am not considered overweight myself, many members in my extended family have dealt with obesity and other weight-related issues. So my familiarity the situations they’ve faced along with my experiences with the societal pressures any woman feels, I felt reasonably confident I could create a fat character and treat her with respect.

The “strange land” part was trickier. What kind of story could I tell? It was going to be science fiction, I knew that much. Which means future. And when I think future, I honestly don’t think of fat. Because in the shiny future, we will have figured out all the nutritional and emotional and genetic triggers that make us fat and everyone will be healthy and beautiful and live forever… Well, at least I hope that’s how it goes. So the question then for me was why would people need to be fat the future? There had to be some benefit to being fat.

Fat is essentially stored energy. What if the people in my story needed an abundance of stored energy to do something? That became: what if they needed it for a mission they were going on? And of course, it had to be a mission to a “strange land.” A-ha. My character would be leading a terraforming mission to an icy, uninhabited planet, and the fat was necessary to not only keep her team warm but to also give them the energy they needed to work near constantly to keep the mission on schedule.

Now I had a story. The only problem was I didn’t know anything about terraforming. So I started with Wikipedia’s article on terraforming and worked my way out to other sources. I spent a lot of time learning about Mars since so many people, scientists and futurists alike, have thought about ways we could transform it into a planet that could support life. And the ideas to do so left me scratching my head. The best science-lite overview came from “How Terraforming Mars Will Work” at HowStuffWorks. Basically there are three methods:

• Large orbital mirrors that will reflect sunlight and heat the Mars surface.
• Smashing ammonia-heavy asteroids into the planet to raise the greenhouse gas level.
• Greenhouse gas-producing factories to trap solar radiation.

The scope of the first two methods was so overwhelming, I was uncomfortable using them. How could I keep this a story about a small team of people when they are building these massive mirrors or flinging asteroids (!) into planets? Plus the level of technical and scientific details made me nervous since I definitely don’t have a degree in astrophysics. The third one was most plausible, but I kept thinking how all three of these methods relied on introducing energy to the planet either via the sun or through asteroidal impact, not using the planet itself as a source of energy. Why not heat the planet up from the inside out instead of outside in?

We all know about the power of greenhouse gasses. But even without our meddling, the earth would still produce CFCs and other gasses that heat up the atmosphere through natural processes like volcanic eruptions. And we get volcanoes and earthquakes along fault lines where tectonic plates rub up against one another.But although this is all well and fine for Earth, what about other planets? Did they have plate tectonics?

Turns out they do (Plate Tectonics Determine Life on Other Planets and Plate tectonics on a planet far, far away), which was enough evidence for me to make my story’s team terraform the planet by inducing seismicity, culminating in volcanic eruptions that would belch greenhouse gasses into the atmosphere and ensure eventual warming of the planet. See Climatic Effects of Volcanic Eruptions and Volcanic Gasses and Their Effects for more info. Science in my Fiction also provides a nice overview of volcanoes, tectonics, and other geological considerations when writing about other planets, which would have been really handy if it came out before I submitted my story :). Oh, and how does one induce seismicity? That’s the easy part. Just look at fracking.

The result is my story “The Tradeoff” in the Fat Girl in a Strange Land anthology that releases this Friday, February 17th.

There’s currently a GoodReads giveaway if you are interested in getting your hands on a copy of the anthology.

And stay tuned for next week, when I bring you an interview with anthology editors Kay T. Holt and Bart R. Leib.

Happy writing!

Odds and Ends

Sometimes there are no themes, no ways to organize life. Things just are. Kinda like this post.

The Seven Year Pen – The Seven Year Pen from Seltzer Goods is just flat out amazing. I bought one the other day, since I’m a big fan of ballpoints and writing longhand. According to the packaging, “100 million pens are discarded every day,” and this pen is designed to write 1.7 meters a day for 7 years. Sign me up! Um…literally.

Local Writing Group Resumes – Today, I’m meeting with the ladies in my local writing group for the first time since November. I’m really looking forward to reconnecting with everyone and getting back into the rhythm of critiquing and exchanging work. Taking December off was great for personal reasons, but now it’s time to get back to writing.

Fat Girl in a Strange Land ARC Giveaway – Crossed Genres Publications is offering three advanced reader copies of the Fat Girl in a Strange Land anthology (which includes my story “The Tradeoff”) through Goodreads. Go here for your chance to win. I'll also have an interview with the editors when we get closer to the anthology's release in February.

Another Resource Roundup Forthcoming – I’ve just started to pull together a post on querying, which should be ready to go next week. Fingers crossed. I’ve been putting it off since these types of posts are so time consuming, but hopefully it will be worth the effort!

Taos Toolbox – I found out this week I was accepted to this year’s Taos Toolbox, a two-week master class in science fiction and fantasy writing this summer. It’s led by Walter Jon Williams and Nancy Kress, with Daniel Abraham as a guest lecturer. I’m really excited for the workshop, but now I’m already paranoid about what projects I’ll be workshopping, whether I’m well-versed enough in the genre (I’m not), and other feelings of unworthiness. There’s still time to apply to Taos and other SFF workshops this year – check out this great post by John Joseph Adams for Inkpunks breaking down the different options.

That’s it for me this week. Happy writing!

Luna Station Quarterly Issue 8 Now Available

My drabble Evolve is now available in Issue 8 of Luna Station Quarterly. The full issue is below. Happy reading!

30 Seconds of Self-Promo

We interrupt our weekend radio silence for a special announcement. Ahem...

I just found out my drabble "Evolve" was accepted for publication by Luna Station Quarterly. It will appear in their drabble issue out on December 1st.

Luna Station Quarterly is a magazine focused on speculative fiction written by up and coming women authors. They have some amazing stories available, so check them out.

Also, my short story "The Tradeoff" will be appearing in the Fat Girl in a Strange Land Anthology from Crossed Genres Publications in February 2012. The pretty cover is below.

For your further edification, there's a great post by a fellow author at Following the Lede on why this anthology is so important.

Happy weekend!

The Story behind the Story – Eclectic Flash Edition (part 2)

The Story behind the Story is a blog post series where I share the behind the scenes info for each story I’ve had published.

Last time, I talked about my story Summer in Exile, published in the September 2011 issue of Eclectic Flash. Well, I am fortunate enough to also have another story in the issue—Elegy, my first published speculative story, which is also available online.

Elegy explores the use of implants – think wireless devices linked to your brain – in a religious context. Implants are something that both my speculative fiction WIPs deal with in some way, but I never looked at them through a religious lens. Then on one March 2010 evening, my prompt-based writing group chose to do a writing exercise on religion, and I thought aha! here’s my chance.

I then took my draft, polished it up, and shared it with my now-defunct writing group at the time. Every one liked it, but they wanted more. I’ve talked before about how my writing friends sometimes think my short stories are really novels in disguise, and feedback suggested Elegy was the same.

Later that summer, a different writing friend was visiting me and I was lamenting how people kept telling me to expand this story and how I didn’t want to. He told me, “You are the author. It’s your story. You know best.”

In subsequent months, I tried expanding the story, but nothing seemed to work. I remembered my friend’s advice and focused all my energy on revising that original scene that got me excited about the story in the first place and made it shine.

I started submitting the story in Spring of 2011. On May 3rd 2011, I sent the piece off to Eclectic Flash, and it was accepted the same day as Summer in Exile.

The Numbers:

First Draft – 326 words
Final Draft – 878 words
Days from Idea to Acceptance – 420
Rejections – 2 form
7-day acceptance

The Lessons:

Know what advice to accept and what to reject – This kind of thing can only come with time and experience, but remember that not all feedback you get on a story will necessarily help make it stronger.

Remember that YOU are the author of your work – Sometimes determining the size or focus of a story is as simple as deciding what story you want to write, and then concentrating on every aspect of craft to get it there. Simple, yes, but not always in practice.

No revising or redrafting is ever wasted work – I wrote a couple thousand words trying to expand Elegy, and then threw those scenes out when I decided they weren’t working and that the heart of the story I wanted to tell was in that initial draft. But I wouldn’t have come to that realization if I hadn’t taken the time to try to expand the story in the first place.

Happy writing!

The Story behind the Story – Eclectic Flash Edition (part 1)

This post is the first in a new, irregular series where I talk about the path to publication for each story I’ve had accepted.

Thanks to the response I got from my post Pen Names and Other Problems, I’ve decided to go ahead and share my writing credits. I haven’t officially linked my name to this blog, but baby steps. We’ll see how it goes.

Anyway.

My story Summer in Exile was published in the September 2011 issue of Eclectic Flash, which is now available online.

I first drafted the piece at my prompt-focused writing group way back in late November 2009. The particular prompt had each of us select a phrase from a book that we would then later incorporate into our story. The phrases were as follows:

• A. S. Byatt’s Little Black Book – “whistled oddly in her petrifying larynx”
• Rudolfo Anaya’s Bless Me Ultima – “his big horse eyes looked up at me nervously”
• Margaret Atwood’s Dancing Girls and Other Stories – “what the bloody hell was he doing on top of that sixty foot tree”
• Mary Doria Russell’s Children of God – “Sometimes if he kept still people would go away.”
• Wallace Stegner’s Collected Short Stories – “Shame made him turn over and lie face down”

I was pretty happy with how my story came out and decided to tinker with it a bit before sharing it with my now-defunct crit group. The other members were positive about the piece, and their only suggestion was to try to incorporate some backstory to make the character more real. But after a few attempts, I felt I was changing the heart of the story too much, reverted back to the original version, then went ahead and submitted it to a few markets starting in Fall 2010.

Rejections.

One market was kind enough to offer me some personalized feedback and again pointed out the issue of character. By now, some time had passed and I reworked the piece again, trying to flesh out the main protagonist. I shared the story at a local open mic night, tinkered some more, and finally found a good balance between character and story.

On May 3rd 2011, I sent the piece off to Eclectic Flash, and it was accepted.

The Numbers:

1st Draft: 441 words
Final Draft: 692 words
Days from Idea to Acceptance: 520
Rejections: 4 form, 1 personal
7-day Acceptance

The Lessons:

Get other people’s eyes on your stuff – My critique group at the time was able to pinpoint what I needed to do to take my story to the next level, even though I was unable to execute their suggestions to my satisfaction.

Stories take time to get right – I am convinced the iterative process of revising, submitting, revising, submitting is what led me to the version of the story that was published. This means waiting for each market to get back to you before submitting it somewhere else. I was/am too new a writer to think I’ll get my story right the first time, so trial and error was a great way for me to learn and grow my craft.

Don’t expect overnight success – 520 days. Enough said.

Intrepid readers will note that I have another story in the September 2011 issue of Eclectic Flash, but I’ll talk about that piece in another post.

In the meantime, happy writing!

When Novel Ideas Masquerade as Short Stories

I’m coming off a summer of insane productivity. For me.

And although I’ve done some work on two of my novel-length projects, the name of the game has been short stories.

Five of them in the 4-6k range, all speculative fiction. Two were written before the summer, and I’ve been revising and soliciting feedback on them. The other three were drafted this summer. One was accepted by an anthology. The remaining two I hope to have submission-ready by next month. Fingers crossed.

I’ve started to workshop the pieces with like-minded members of my local meetup writing group – a breakout group of those who were actively pursuing publication and were already at a certain level with their craft. This group of ladies has provided some hugely helpful feedback (even though we all write very different things).

Something that has been consistent in their comments is that each short story could be so much more. Sometimes that means I have to flesh out the world or the story a bit more. But most of the time it means they think I should be writing a novel instead of a short story. That my short stories are novels in disguise.

I’ve talked before about my difficulties in writing short – and believe me, I’m aware of the irony that my other publishing credits are flash fiction.

What’s a girl to do? Well, I’m not opposed to writing novels, obviously. In fact, my “natural length” is probably more novel than short story (and writer Juliette Wade has a great post on this: Natural Length and the Fractal Nature of Stories). The problem is I’ve got two speculative fiction projects already queued up. So converting any of the stories in this current batch into a longer work won’t be happening any time soon.

Then there’s the advice that writing short can be a great way to jumpstart your career (see Lydia Sharp’s post The Benefits of Writing Short and The Long on the Short post from Magical Words). And that’s what I was trying to do with these stories that I’ve turned out this year.

So, as I revise, I’m working hard to do the following:

1) Streamline story elements as much as possible without compromising my view of the story world

This may mean simplifying plot points or removing certain features of the world – especially if they open up a whole host of questions that my story doesn’t address. I often add in aspects that I think flesh out the worlds in a shorthand way, but oftentimes these are the same things my writing group calls me out on. As Juliette Wade points out in Worldbuilding for Short Stories: “in a short story, you have very little room to explain or explore. Everything you do has to be done in as few words as possible.” So Poe’s assertion that every element of a short story should work in concert to achieve a unity of effect is something I need to keep in mind.

2) Find ways to develop character without developing character

Calm down. I’m not advocating one-dimensional characters. But in SF/F stories, where worldbuilding and story action demand a not insignificant portion of the story, that doesn’t leave you with a whole lot of room to devote to your characters. This is where voice is so important – and it’s no surprise that all the short stories I’m working on are written in first person. I vowed at the beginning of the year to write in first person to help me really sink into my characters and that’s proven doubly helpful in terms of developing character without slowing the story action down.

3) Analyze all the themes/issues/plot points and decide if they are best served by the short story form

This is always tough. I have to decide if I can fit everything into one story. Or, if I remove some elements, will the story be stronger? If not, maybe I should just save it for a novel. I fear this is already the case with one of my short stories, but I will give it the old college try at keeping it short. Besides, more than other genres, lots of SF novels started out as short stories, and I’m just following the trend…

Have you ever been told you have a novel masquerading as short story? Did you end up paring your story down? Or did you turn it into a novel? Happy writing!

My First Rewrite Request

I sent off a short story to an anthology in recent months. My first anthology submission.

In the past, I’ve shied away from such things. Sometimes the calls are simply too vague. Other times they are so specific, I wonder how the editors can get anyone to write a story for them let alone a whole book full.

Plus, when you write a story for an anthology on spec, you automatically reduce the appeal of that story to other markets. If you get rejected, that’s it. (Don’t believe me? Clarkesworld Magazine specifically lists "stories originally intended for someone's upcoming theme anthology or issue" as something they are NOT seeking in their submission guidelines.) That and we’ve all heard horror stories about anthologies that never materialize despite best efforts on all sides.

So writing a story worth writing for an anthology can be a risky proposition. But this case* was different. Within a few days of seeing the call, I had a story idea. And then I was writing said idea. And the next thing I knew, I had a fully realized story I was proud of. So I figured, why not?

I tinkered a bit, and then as the clock ticked down on the deadline, I sent it off. And I was fairly optimistic. I was pleased with how the story turned out and I knew the story was flexible enough I could rework it for another market if it was passed over. And best of all, by submitting, I was pushing myself to do something different. I was showing up to work, so to speak. I was taking my writing seriously.

A few weeks went by and then I received an email that my story had been shortlisted for the anthology – not a sure thing, but it was welcome news nonetheless.The only caveat was the editor wanted revisions.

I stared at my computer screen and blinked. Revisions… I had already shifted gears and was working on another project, and now he wanted me to go back? My story was fine as it was…wasn’t it?

He told me he loved the story concept and my character’s voice, but he wanted more. Especially at the end when the story just sort of stopped without a clear resolution.Ambiguous endings are kind of my thing, didn’t he know that? Maybe he fell into the camp that thinks ambiguous endings are a copout. Maybe they are…

I didn’t know what to do. I wanted another publication credit so bad, I thought I would do anything to get it. But how could I expand a story I thought was complete? How could I not?

Just like everything else with writing, a rewrite request can shake the foundation of your self-confidence. As writer Wendy Wagner describes in her Rewrite Request post for Inkpunks:

Getting a request for revision scares the crap out of me. On one hand, it’s wonderful to hear that your story has caught the attention of an editor. The things that are good about your piece are clearly working. But then you’re challenged to go beyond your original concept and make changes. I always worry that in fixing the problems (or shifting the concept, in the case of one piece), I might destroy all the good stuff by accident. And I also worry that I just don’t have the talent or intelligence to solve a problem I clearly missed on my own.

I was seriously considering writing back to the editor and saying I couldn’t make the changes he wanted, that it would change the vision I had of my story. And that’s when it hit me. How to expand the story in a way that would flesh out some of the things he was concerned about but stay true to my original concept.

And as I dug in and made the changes, I realized he was right –- there was more to tell, and my story only got stronger. After seeking reassurance from some writing friends, I sent if off a second time. This time I got a firm acceptance, and needless to say I’m thrilled.*

I still shudder when I think I almost withdrew my submission when faced with a rewrite. I could have gotten precious about my "art" and refused to make changes, but I didn’t. And I’m glad because it:

• Resulted in stronger story
• Forced me to look at my work in a new way
• Gave me the confidence that my work and abilities are strong enough to handle bumps like this
• Gave me a taste of what professional writers deal with regularly
• Resulted in another publication credit

How can you argue with that? Have any of you faced similar problems? How did you negotiate changes with the editor?

*I have declined to name the anthology since the editors have not yet made the formal announcement as to which authors are included. When they do, I will be sure to share the details. Anyone with a burning desire to know may email me.

It’s Finally Real

Or more real than it was last week

Or it’s always been real, but now I have proof*

*proof forthcoming

What am I talking about? Last week I learned that two of my short stories were accepted for publication. Not one. Two. Needless to say I am thrilled my stories will be in the September issue of Eclectic Flash.

When I saw the replies sitting in my inbox that morning last week, I mentally braced myself for more rejections. In fact, I must have read the acceptance emails a dozen times before I believed my eyes. Then I spent a few hours waiting to see if another email would arrive explaining there had been a terrible mistake and that they didn’t actually want my stuff. It never came.

Now you might think I had no confidence in placing these stories based on the mental hand-wringing described above. That’s not true. I absolutely loved my stories – which is why I spent so much time revising and submitting them. I though they were worth the effort and the rejections that came with them. After all, besides all the writing, rejection is the other hallmark of being a writer.

But I was so focused on the submitting and revising cycle that it never occurred to me how an acceptance would affect things. So I offer up some impressions after going through this process:

No More Tinkering – I no longer have to ponder past rejections or scour submission guidelines and revise these two stories. They’ve been accepted. They will be published. And I need not tinker with them again. In some ways, that's a relief. But I sometimes feel the empty space in my brain where they used to reside as I'd think about new ways to improve them.

No Money? No Problem – Eclectic Flash is a non-paying market. The distinction between paying and nonpaying does matter to some writers. But honestly, that wasn’t an issue for me. The validation that the publication credits gives me and the accessibility of my stories in both print and online has far more value at this stage in my writing life.

Never Underestimate Fit – My submission strategy is usually to aim at the top markets and go from there. I had collected a couple of rejections, and was debating my next step for both my stories when I learned about Eclectic Flash. After reading their guidelines, I felt my stories would be a great fit – not a cross-your-fingers-and-let’s-see but a oh-my-gosh-it-sounds-perfect feeling. So I sent them off even though I hadn’t exhausted all the pro markets yet. And I will never regret that decision.

Never Discount Story Ideas – The kernel for both these stories originated from prompts I participated in through my weekly writing group. Something about them compelled me to keep working on them until they were strong enough for me to submit. Had I not participated in the writing group or never allowed myself to revisit the stories, I wouldn’t be published.

Now What? Now that the revise/resubmit cycle is over for these two stories, there’s others that need my attention. I thought I’d feel different about getting a few publication credits under my belt. Perhaps even feel less cowardly about getting my stuff out there. But now all I’m thinking about is where do I go from here? What’s next? How do I keep up this momentum?

My stories in Eclectic Flash are a stepping stone. A first big break. Validation after months of hard work. The credits for that third paragraph in a query. The end of what could have been considered a hobby. And a new beginning…

Eclectic Flash Submission Guidelines
Eclectic Flash at Duotrope Digest 
Six Questions for Brad Nelson, Editor, Eclectic Flash