And So We Come to the End

This is the last post I’ll be making here at The Bluestocking Blog.

But never fear. This doesn’t signify an end to my writing or blogging for that matter. I’m just switching over to a new domain:

laurencteffeau.com

When I first started this blog, I had no publication credits and no real clue to what I was doing. All I knew is that I wanted to write and blogging seemed like a good way to plant my flag, so to speak.

But my ever-present insecurity demanded that I do so under an alias. I started posting, was pleasantly surprised as I made connections with other writers, and slowly built a platform for myself.

Now, however, that identity is starting to chafe. I’m not a beginning writer anymore. I still have things to learn, mind you, but I’ve progressed to a point where I feel comfortable with what I do and the skill level I’ve achieved. I’ve made two pro sales in the last two months and had accrued a respectable number of credits before that. It’s time to fully own my identity as a writer, and I feel I can best do that with my new site.

But first, a look back.

The Bluestocking Blog Stats:

1,452 days active (just over four years!)
214 posts
over 69,000 hits
over 7,000 unique visitors
10 short story credits
4 novels written

Top posts:

Nefarious Narrative Distance
Resource Roundup Part 1 – Finding the Right Word 
Resource Roundup Part 4 – Opening Your Story
Resource Roundup Part 2 – Conjuring Up Titles
Coffee Shop Etiquette 

Not bad for an alias.

So please follow me to my new site at laurencteffeau.com or stay connected with me on twitter. And, as always, happy writing!

Photo courtesy of Olivander of Flickr

Sale to Crossed Genres Magazine

Just a quick note to say I’ve sold my short story “Forge and Fledge” for inclusion in the “Runaway” issue of Crossed Genres Magazine.

I’m very excited to work with CG again after participating in their Fat Girl in a Strange Land anthology a while back.

If you are interested in speculative fiction that bucks the norm, be sure to check them out. In fact, they are in the midst of a subscription drive—the best way to see my story when it’s published!

That’s it for me this week. Happy writing!

Fits and Starts

Between the holidays and some personal issues that I won’t go into here, these past few months have been rather…stressful for me. Of course, my writing routine has suffered, along with the blog. A self-perpetuating cycle of guilt and exhaustion that I’m just now getting out of...in fits and starts.

If you’ve had similar trouble, I recommend reading (Not) Writing My Way Through Stress from the Inkpunks blog for strategies to stay productive when the world conspires against you.

 Image courtesy of stopherjones of Flickr

 

Anyway. It’s not all been doom and gloom. I’ve had a few pieces of good news.

First, my story “Daughters of Demeter” which originally appeared in Eternal Haunted Summer will be reprinted in Potnia: A Devotional Anthology in Honor of Demeter published by Bibliotheca Alexandrina this spring. It’s always exciting to see my digital projects find their way in print.

Second, I’ve made my first SFWA-qualifying sale. I’m happy to announce my story “Against the Wind” will be appearing in an anthology of stories set in S.M. Stirling’s Emberverse, a series of post-apocalyptic books set in an alternate history where technology fails and humans struggle to survive in a changed world. I’ll be sure to share more details as this project progresses.

So as with anything, there’s good with bad. Either way, I’m writing again, and for now, that’s enough.

The End of the Year as We Know It

And I feel fine.

I feel totally fine with saying goodbye to 2013.

It’s been a year of transition for me. I went into it with a lot of momentum—finishing and polishing another novel, writing four short stories, one anthology sale, two workshops, a Worldcon, a new crit group, and making handful of new writing friends. In fact, all told, that’s just the first half of 2013.

The rest of this year, I’ve been sidelined dealing with a family member’s illness. Productivity came to a screeching halt, writing time evaporated, and all that momentum has turned into regret at what-could-have-beens.

So yeah. Don’t let the door hit you on your way out, 2013. I’ve got my eye on the horizon and what 2014 will bring. It’s going to be good. I can feel it.

Image by Amodiovalerio Verde of Flickr

What to expect next January? Well, more natterings on about my writing process, some subtle changes to the blog, maybe even some good news. A girl can hope!

In the meantime, whatever you celebrate, have a wonderful next few weeks and a happy New Year!

A Time for Thanks

Regardless of what you believe or how you choose to celebrate, taking a moment once a year to take stock and say thanks is a wonderful thing. And after spending the last few months caring for a sick family member, it’s a good time for me to reflect on the wonderful things in my life.

I’m thankful for…

1) All the projects I’ve been able to draft, revise, and complete (in some cases all three!) especially since my writing time of late has been drastically reduced. I’ve started or completed five short stories, and tinkered with a few more that haven’t found homes. My short stories routinely make it to the second round at markets, which has built up my confidence in my work even though it doesn’t always translate into sales.

2) The fact my story “Resonance” found a home in The Future Embodied anthology. Should be out sometime next year, and I can’t wait!

3) My growing community of writers. I went to Worldcon this year and was thrilled to catch up with some of my friends from Taos Toolbox and meet new ones. I also just got back from Paradise Icon, a neo-pro writing workshop in Cedar Rapids (which you can read more about here), where I met more talented writers. The workshop was a great break from my caregiving obligations and provided me with some much-needed inspiration. If you are looking to expand your own community of writers, applications to the 2014 Taos Toolbox workshop open December 1st.

Image courtesy of hotblack of the Morgue File.          

4) That my latest novel project will be in this year’s Baker’s Dozen Auction on the Miss Snark’s First Victim’s blog. Cross your fingers for me and see if you can guess which entry is mine!

5) My husband for supporting me in everything I do.

 Image courtesy of menstatic of the Morgue File.

What are you thankful for this year? Happy Thanksgiving!

 

Cover for The Future Embodied anthology

Today, I'm happy to share with you the cover for the The Future Embodied anthology, which I'm thrilled to have a story in.

The artist is Galen Dara, who I had the pleasure of meeting at this year's WorldCon where she won a Hugo award for best fan artist. And I think her work speaks for itself.

For more updates about the anthology, keep your eye on the project's blog.

Story Sale to The Future Embodied

I’m pleased to announce that my story “Resonance” has sold to The Future Embodied, an anthology of speculative stories exploring how science and technology might change our bodies and what it means to be human.

After a successful Kickstarter campaign, editors Jason Andrew and Mae Empson announced a call for “character-driven, near-future stories of how the trajectory of current science and technology could impact our daily lives and choices.”

My story “Resonance” is about two friends who meet for the first time after already having a very intimate virtual relationship facilitated by implants.

This story originated at Taos Toolbox, where we were asked to write a short story the second week of the workshop. The story benefited from the collective genius in the room (check out my fellow Toolboxers here). After incorporating everyone’s feedback, I workshopped it with my local writing group and my crit partners. Then I sent it off into the world. I’m very glad it has finally found a home.

The anthology is slated to be released in December 2013. Check out the table of contents and all the other great authors who have contributed stories. 

Happy writing!

Invisibility of Progress

Improvements in writing ability are often hard to detect. So much of what is “good” is contextual—dictated by a particular project, the audience you’re writing for, or even market trends.

I’ve talked before about How Do You Know if you are ready for publication. Although it’s related, that’s not exactly what I want to talk about today.

Instead I want to focus on all the invisible things writers do in the hopes of bettering their craft, expanding their professional network, and positioning themselves for success to the best of their ability.

Image courtesy of Penywise of Morgue Files

Objective measures of success in this field are pretty self-explanatory. You’re either published or you're not (however you choose to define it). When you’re “not” published, chances are you’re doing a bunch of things other than writing in the hopes they will pay off in some small way in the future.

For example, I haven’t sold any short stories since last fall. If you are looking at my output objectively—well, there isn’t any by that definition. Instead, so much of what I’m doing these days is invisible. And I’m still trying to figure out what that means.

These invisible activities include:

Reading slush for Masque Books – Beyond occasional mentions here on the blog, it’s something I do to strengthen my ability to evaluate projects, diagnose writing problems, and gain insights into the editorial process. I won’t be able to learn these things overnight—this requires a commitment of months if not years to see the benefit from this type of activity.

Joining an invitation-only critique group – The meetings are intense and panic-inducing. I’m learning tons, making good connections, but as with any critique group, feedback is only as good as the projects I bring to them. Workshopping novels (and short stories to a lesser extent) can be a long process outside of development time.

Submitting to higher-tier markets – I have three in rotation right now that I truly believe in. And I’ve been aiming high. My sales last year gave me the confidence to target higher-tier markets. Personal rejections? Check. Second-round bumps? Check. Agonizing ‘You just missed the cut’ notices? Oh yeah. And the worst part is, all this means longer response times.

When non-writers ask me about my writing these days, it’s hard to explain how all these invisible activities fill up my time and contribute to my work. But they do mean something. They are valuable. They just go largely unseen because they don’t conform to objective measures of success.

I just have to believe they’ll add up to something that cannot be ignored one day.

What aspect of your writing life is invisible?

The Fragility of the Everyday

Last Friday, a regular collapsed in the coffee shop I frequent a couple of times a week.

He sat at his table with his newspaper like usual, and I sat where I normally do if I can—an armchair by the wall tucked out of the way. I had a section of my latest novel project printed out, and I was furiously scribbling away in the margins. It was going to be a good writing day, I could feel it.

That’s when the man collapsed out of his chair and onto the floor. Not an I’ve-fallen-and-can’t-get-up fall, but something worse.

The shop went eerily silent for a second, then I sprung to my feet along with some of the other customers. More seconds burned by as we hovered in a circle around the man in a what-do-we-do stupor. But he wasn’t moving, and he wasn’t conscious.

I tried to use mental telepathy on the barista behind the counter. What should we do? What happens next? Why isn’t anyone calling 911? The barista has the presence of mind to take a sandwich off the grill before getting the manager. For some reason, this impressed me.

If felt like an eternity—though again, it was just seconds—when a strong voice announced: “Everyone, stay calm. I’m a paramedic. If could have a volunteer pair of hands?”

Turns out an off-duty paramedic decided to come to the coffee shop that day, thank goodness. Two people who weren’t me snapped to attention and helped him get the old man into a sitting position to evaluate his condition.

Meanwhile I was shaking. I gathered up my printouts that were scattered all over the floor and collapsed back in my seat. I am no stranger to sickbeds. I’ve had more than my share of death and dying, but still my palms were sweaty and my heart raced as the paramedic and his volunteers tried to get the man to respond to his questions.

It was touch and go for ten minutes. Ten minutes of me thinking this man is going to die here, in this coffee shop, and I will never be able to work here again. Even as these thoughts went through me, I was sickened that that’s all I cared about. Better than thinking about the last time I was in a hospital with a loved one. But still. This was someone I “knew,” someone linked to the fabric of my daily life.

Thankfully, the man came out of it—there was talk it was a stroke, a “cardiac event,” or even a bad reaction to his medicine, but they didn’t know for sure. An ambulance came along with a team of paramedics who were on the clock, and they bundled the man onto a gurney and took him to the ER.

All told, about an hour-long saga where I and the other customers were trapped in the coffee shop as the man was seen to. I just sat there and stared down blindly at my printouts, feeling guilty and scared and upset all for a stranger. Needless to say, I didn't write that day.

He wasn’t there when I went to the coffee shop on Tuesday, and I didn’t ask the baristas if they knew anything. 

I just hope the next time I go, he’ll be there, at his table with his paper, and I’ll be in my chair, with my printouts, and all will be right in the world.

Potpourri to Start 2013

So it’s been awhile. Between the holidays, houseguests, and a mystery illness during the majority of December, I haven’t had a whole lot of energy for the blog. But it’s a new year and a new beginning for all things writerly.

A few announcements to get me caught up:

• First, applications are now being accepted for Taos Toolbox 2013. I found it to be a great experience and made a lot of writer friends through it. So if you want to take your craft to the next level, expand your network, and spend two weeks in the mountains of northern New Mexico, get your application in. 

• I’m now reading slush for Masque Books, Prime Books’s new digital imprint. So if you have a great speculative story, check out the submission guidelines and send it in! 


• Duotrope is no more—at least not in a format I can support since they now charge for access to the most useful parts of the site. This is disappointing, as I was a heavy user and proponent of the site, but such is life. If you are looking for a Duotrope alternative, check out THIS POST for your options. Happy subbing! 


• Finally, be sure to check out L. Blankenship’s Kickstarter for the continuation of her hard fantasy romance series. After successfully funding Disciple, Part I, you can pre-order Part II. I was one of L.’s betas on this project, and I highly recommend it! Samples are available through the Kickstarter page. 

I hope 2013 is off to a fabulous start for all of you. Happy writing!

Next Big Thing Meme

I was recently tagged by Fran Wilde, a fellow writer and friend I met at Taos Toolbox, to talk about my current Work-in-Progress. Be sure to learn more about her WIP Bone Arrow, Glass Tooth, which I had the privilege of reading part of at the workshop.

1. What is the title of your Work in Progress?

Fireproof

2. Where did the idea come from for the book?

Well, for starters, it wasn’t always a book. It started out as a short story. My response to a particularly bad season of wildfires—one actually got very close to my house. I wondered what it would be like to live under threat of fires all the time, how that would define you as a person and shape your culture. And the idea evolved from there.

Around that time, Wily Writers announced their YA post-apocalyptic theme, and I wanted to submit Fireproof. But I soon realized that wasn’t possible—my short stories are often novels in disguise, and Fireproof was one of them. So I set it aside and wrote Chicken Feet (which was accepted by Wily Writers and later reprinted in The Shining Cities anthology). I then returned to Fireproof with the new goal of fleshing it out as a novel.

3. What genre does your book fall under?

YA Science Fiction

4. Which actors would you choose to play your characters in a movie rendition?

Let’s see if it gets picked up first.

5. What is a one-sentence synopsis of the book?

I hate writing these. How about a paragraph?

Tanwen’s father trained her to be a survivor, but the colony will train her to be a spy. When a rogue collective takes aim at the colony’s water supply, she’s ordered to infiltrate enemy territory. Away from her family and friends, Tanwen must come to terms with all she thought she knew about her life. And when her mission objective changes from recon to sabotage, she’ll learn what’s really worth saving.

6. Will your book be self-published or represented by an agency?

Representation, I hope. One day. Fingers crossed!

7. How long did it take you to write the first draft of the manuscript?

The idea was kicking around in my head Spring/Summer of 2011. Starting in Fall 2011, I started treating it as a novel and had a full draft by late Spring 2012. It’s complete and polished and I’m largely pleased with it, but still making the occasional tweak.

8. What other books would you compare this story to in your genre?

The dreaded comparables question? I think this meme hates me ;)

9. Who or what inspired you to write this book?

See Q2. I also wanted to explore a couple different themes:

• Sacrificing what you want for the good of the community
• How specialized education/skillsets can lock you into unwanted trajectories
• We don’t have to repeat the mistakes of our parents
• Grief and all the different shapes it takes
• And, of course, hope in the future

10. What else about your book might pique the reader’s interest?

The southwestern setting is a huge part of the story, despite its SF trappings. Many elements are rooted in the culture and the people who make the high desert their home—and some things were ripped straight from the headlines. Granted most readers won’t care about all that, but it was important for me to have that extra layer of authenticity.

I also wanted to present a possible, if not probable, apocalyptic scenario because so many other books gloss over what happens in the past. In Fireproof, the connections between what happened and its impact on the resulting society are tightly drawn, showing the messy transition from apocalyptic event to resulting post-apocalyptic society. One of my trusted readers called it a pre-post-apocalyptic story, which is awkward to say, but in some ways accurately captures my intention.

***

Thanks again to Fran Wilde for tagging me!

New Story Live

Just a quick note to say my story "Daughters of Demeter" is now live at Eternal Haunted Summer.
 

The story is a re-imaging of the Persephone/Hades myth. I always thought Demeter's scorched earth policy when Persephone disappeared was a bit of an overreaction, which made me wonder just what else she would do to keep her daughter safe.

And if you enjoy mythology and other pagan themes, check out the rest of the Autumn Equinox issue.

Happy writing!

Delayed Miscellany

I forgot to post this Wednesday, but life and writing happened, so I’m not too repentant.

If you didn’t know, Gearing Up to Get an Agent (#GUTGAA) is going on right now, and I’ve been busy polishing my own pitch and critiquing others this week. And I got the good news this morning that I successfully entered the preliminary round for agent judging. Yay! Even if I don't move on to the next round, my pitch has already benefited from entering.

I was also bestowed the Very Inspiring Blogger Award by the wonderful Jen McConnel. If you haven’t checked her out, you need to as she blogs about the writing life and provides insightful book reviews.

As a Very Inspiring Blogger Award recipient, I need to post seven interesting things about myself. Since I’ve done variations on this before, I’ll stick to writing-related things this time around.

1.  My Wily Writers story "Chicken Feet" is being reprinted in Bibliotheca Alexandrina’s The Shining Cities: An Anthology of Pagan Science Fiction. "Chicken Feet" is about a young girl who makes chicken foot ornaments, an aspect of Hoodoo culture, to survive a post-apocalyptic world. So please check out the anthology and the other great stories it contains.

2.  I won a partial request in this month’s Secret Agent contest through Miss Snark’s First Victim. Here’s a hint—it was for my YA SF story I’ve been working on. Keep your fingers crossed for me. And get your logline ready for the Third Annual Baker's Dozen Agent Auction coming up later this year.

3.  I’m joining a new in-person writing group. I’m still keeping my current group of course, but this new group is comprised of members a little further along in their writing journey (think pro sales and book deals). I’m lucky to have been invited, and the first session is this weekend. Hopefully I’ll have more to share about this soon.

4.  I went to my first SF/F convention two weekends ago. And I lived to tell about it! It was a local convention, and much more focused on books and trends than fandom, which I appreciated. Worldcon didn’t make sense for me this year, but I’ll definitely be attending next year when it’s in San Antonio.

5.  I received my print of the cover illustration for the Fat Girl in a Strange Land Anthology – a reward I received for supporting their Kickstarter campaign to pay pro rates and bring back their magazine. I’m going to frame it and hang it along with the illustration for my story in the Memory Eater Anthology in my office. Cuz yeah I’m a dork like that—and I need all the inspiration and encouragement I can get sometimes.

6.  Elizabeth Craig will be interviewing me in an upcoming edition of the Writers Knowledge Database newsletter. If you haven’t signed up (which you can do here), you are missing out. The Writers Knowledge Database is a great way to find resources on craft, publishing trends, you name it.

7.  Finally, I picked up a copy of Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence after reading Janice Hardy’s interview with author Lisa Cron. This is the first craft book I’ve felt compelled to read in a long time. I’ll let you know how it goes.

Okay... That's it for me. Have a wonderful weekend and happy writing!

Taos Toolbox Postmortem

I came. I survived. My head hurts.

I’m still processing much of my Taos Toolbox experience, but I’m feeling inspired, if overwhelmed, by all the information and feedback that was crammed into fourteen days as well as all the new writer comrades I made.

Every workday, we met in the common room at 10am for a morning lecture by Nancy Kress. That was followed by critiques of people’s work, which usually straddled lunchtime. Then there was an afternoon lecture by Walter Jon Williams. The rest of the day was reserved for critiquing, assignments, and drafting a new story for Week 2.

Critiques followed the Milford model, where the authors must remain silent as the rest of the writers take turns sharing their thoughts on the story. It was an intense process but ultimately very helpful as I start to contemplate revisions for the projects I shared at the workshop.

We also had a frank and informative guest lecture by Daniel Abraham on what it takes to have a successful career in SF/F. Hint: Multiple brands (ie, writing in different genres with associated pennames) to hedge against the quirks of the marketplace.

Weekends, I took every opportunity to hike in the Taos Ski Valley during the day and at night I drank my share of New Mexico made Gruet Blanc de Noirs champagne and discussed the writing life with my fellow participants. After all, this workshop was a celebration of sorts—rewarding how far I’ve come and acknowledging future opportunities, so long as I’m in a position to capitalize on them.

For some participants, this was not their first workshop, but there were others like me who had no preconceived ideas what this experience would be like. Though there was a range of experience levels, everyone was dead serious about perfecting their craft and learning what it takes to be a professional writer. And I’m proud my fellow attendees will be my publishing peers to come!

For more insights into the Taos Toolbox experience, check out fellow Toolboxer Catherine Schaff-Stump’s evolving collection of interviews and links of participant experiences.

Finally here are some tidbits I gleaned from the lectures over the last two weeks, which are hopefully as helpful to you as I found them:

• Sometimes it’s more important to be interesting than clear when writing SF/F 
• You can almost always cut “locomotion” writing that gets your characters two and from the real scenes 
• Exposition works so long as you’ve earned it 
• If scene(s) don’t build towards the explosion at the end of an act or the book’s finale, cut them 
• The end of a sentence, paragraph, section, chapter, book is the power position 
• If you get stuck, ask yourself what else can go wrong 
• Attach emotions to observations
•  A writer’s only job is to set reader’s expectations and then meet them 
• Readers shouldn’t be worrying about what is happening in your story—they should be worried about what happens next.

Happy writing!

Kreativ Blogger Award

Last week, I was awarded the Kreativ Blogger award.

Yay! But the award comes with a price.

RULE 1 – Thank and link back to the awarding blog.

Thanks goes to Elizabeth Twist, a blogging buddy of mine, who has been equal parts entertaining in her posts about some of the more esoteric and creepy parts of our world (check out her A to Z challenge series) and inspiring in her ability to take some of the weirder calls out there and make story magic.

Thanks so much, Elizabeth!

RULE 2 – Answer the following seven questions:

1. Name one song you listened to over and over as a teenager.

George Gershwin's Cuban Overture. I'm not kidding. In fact, I listened to only classical music until my freshman year of high school. That's when my friends had an intervention, and it was alternative and indie rock from then on out. Now I listen to just about anything that's not super hard-core rap, metal, or country *shudder*

2. What's your favorite dessert?

Anything chocolate. This is usually a good place to start (and it's as good as it sounds). Though now that summer is less than a month away, there's nothing better than a slice of key lime pie on a warm evening.

3. What do you do when you're upset?

That depends. Are we talking upset-sad or upset-mad? The former involves some sort of alone time where I read or listen to music to distract me. The latter usually involves me playing a shoot-em-up video game so I don't bite someone's head off.

4. Which is your favorite pet?

Umm...I have just the one. And how could she not be my favorite?

5. Which do you prefer? White or whole wheat?

Whole wheat. Unless it's Thanksgiving. My family's traditional stuffing calls for white bread. Nom.

6. What is your biggest fear?

Failure. That and spiders.

7. Do you think it is better to help people or leave them alone?

My initial thought is that people should have the freedom to fail (or succeed) on their own terms. You learn a lot more that way. And some things can't be taught, only experienced. That said, there's a greater potential for karma points when you help others. So it depends, on both the person needing the help and the situation.

RULE 3 – Provide ten five random factoids about yourself.

• I really hate talking about myself.
• I can crack my jaw.
• I only get pedicures for the calf massage.
• I was born on Good Friday.
• I am allergic to cats. Plus they take over your mind.

***
Thanks again, Elizabeth, for the Kreativ Blogger award! Be sure to check out her blog or on twitter.

My Story "Chicken Feet" Now Available

I'm pleased to announce that my story "Chicken Feet" is now available for your listening or reading pleasure through Wily Writers.

Wily Writers is a twice-monthly podcast series. Stories are speculative in nature, responding to monthly themes. I wrote "Chicken Feet" for their call for young adult post-apocalyptic tales back in October 2011. I actually wrote a story before this one, but realized I had a novel on my hands. I went back to the drawing board and wrote "Chicken Feet" and the other story has taken over is now my novel-length WIP.

Big thanks to Wily Writers editor Angel Leigh McCoy, guest editor Ripley Patton, and voice actor Leah Rivera for her audio performance of my story.

Wily Writers just started offering professional rates for stories in 2012. I've had a very positive experience working with them and would encourage you to take a look at the guidelines for their upcoming calls for the year.

Thanks!

The Story behind the Story – Fat Girl in a Strange Land Edition

When I saw the call for the Fat Girl in a Strange Land anthology for Crossed Genres Publications, I knew I wanted to submit a story. When I see specific calls for anthologies or special issues of magazines, it can take me a while to warm up to the occasionally bizarre ideas editors are looking for. But not this time.

So the next question became, how to do this call justice? There were two required elements: a fat, female protagonist and some sort of journey to a strange land (however conceived). The fat part I had no problem with. Though I am not considered overweight myself, many members in my extended family have dealt with obesity and other weight-related issues. So my familiarity the situations they’ve faced along with my experiences with the societal pressures any woman feels, I felt reasonably confident I could create a fat character and treat her with respect.

The “strange land” part was trickier. What kind of story could I tell? It was going to be science fiction, I knew that much. Which means future. And when I think future, I honestly don’t think of fat. Because in the shiny future, we will have figured out all the nutritional and emotional and genetic triggers that make us fat and everyone will be healthy and beautiful and live forever… Well, at least I hope that’s how it goes. So the question then for me was why would people need to be fat the future? There had to be some benefit to being fat.

Fat is essentially stored energy. What if the people in my story needed an abundance of stored energy to do something? That became: what if they needed it for a mission they were going on? And of course, it had to be a mission to a “strange land.” A-ha. My character would be leading a terraforming mission to an icy, uninhabited planet, and the fat was necessary to not only keep her team warm but to also give them the energy they needed to work near constantly to keep the mission on schedule.

Now I had a story. The only problem was I didn’t know anything about terraforming. So I started with Wikipedia’s article on terraforming and worked my way out to other sources. I spent a lot of time learning about Mars since so many people, scientists and futurists alike, have thought about ways we could transform it into a planet that could support life. And the ideas to do so left me scratching my head. The best science-lite overview came from “How Terraforming Mars Will Work” at HowStuffWorks. Basically there are three methods:

• Large orbital mirrors that will reflect sunlight and heat the Mars surface.
• Smashing ammonia-heavy asteroids into the planet to raise the greenhouse gas level.
• Greenhouse gas-producing factories to trap solar radiation.

The scope of the first two methods was so overwhelming, I was uncomfortable using them. How could I keep this a story about a small team of people when they are building these massive mirrors or flinging asteroids (!) into planets? Plus the level of technical and scientific details made me nervous since I definitely don’t have a degree in astrophysics. The third one was most plausible, but I kept thinking how all three of these methods relied on introducing energy to the planet either via the sun or through asteroidal impact, not using the planet itself as a source of energy. Why not heat the planet up from the inside out instead of outside in?

We all know about the power of greenhouse gasses. But even without our meddling, the earth would still produce CFCs and other gasses that heat up the atmosphere through natural processes like volcanic eruptions. And we get volcanoes and earthquakes along fault lines where tectonic plates rub up against one another.But although this is all well and fine for Earth, what about other planets? Did they have plate tectonics?

Turns out they do (Plate Tectonics Determine Life on Other Planets and Plate tectonics on a planet far, far away), which was enough evidence for me to make my story’s team terraform the planet by inducing seismicity, culminating in volcanic eruptions that would belch greenhouse gasses into the atmosphere and ensure eventual warming of the planet. See Climatic Effects of Volcanic Eruptions and Volcanic Gasses and Their Effects for more info. Science in my Fiction also provides a nice overview of volcanoes, tectonics, and other geological considerations when writing about other planets, which would have been really handy if it came out before I submitted my story :). Oh, and how does one induce seismicity? That’s the easy part. Just look at fracking.

The result is my story “The Tradeoff” in the Fat Girl in a Strange Land anthology that releases this Friday, February 17th.

There’s currently a GoodReads giveaway if you are interested in getting your hands on a copy of the anthology.

And stay tuned for next week, when I bring you an interview with anthology editors Kay T. Holt and Bart R. Leib.

Happy writing!

Odds and Ends

Sometimes there are no themes, no ways to organize life. Things just are. Kinda like this post.

The Seven Year Pen – The Seven Year Pen from Seltzer Goods is just flat out amazing. I bought one the other day, since I’m a big fan of ballpoints and writing longhand. According to the packaging, “100 million pens are discarded every day,” and this pen is designed to write 1.7 meters a day for 7 years. Sign me up! Um…literally.

Local Writing Group Resumes – Today, I’m meeting with the ladies in my local writing group for the first time since November. I’m really looking forward to reconnecting with everyone and getting back into the rhythm of critiquing and exchanging work. Taking December off was great for personal reasons, but now it’s time to get back to writing.

Fat Girl in a Strange Land ARC Giveaway – Crossed Genres Publications is offering three advanced reader copies of the Fat Girl in a Strange Land anthology (which includes my story “The Tradeoff”) through Goodreads. Go here for your chance to win. I'll also have an interview with the editors when we get closer to the anthology's release in February.

Another Resource Roundup Forthcoming – I’ve just started to pull together a post on querying, which should be ready to go next week. Fingers crossed. I’ve been putting it off since these types of posts are so time consuming, but hopefully it will be worth the effort!

Taos Toolbox – I found out this week I was accepted to this year’s Taos Toolbox, a two-week master class in science fiction and fantasy writing this summer. It’s led by Walter Jon Williams and Nancy Kress, with Daniel Abraham as a guest lecturer. I’m really excited for the workshop, but now I’m already paranoid about what projects I’ll be workshopping, whether I’m well-versed enough in the genre (I’m not), and other feelings of unworthiness. There’s still time to apply to Taos and other SFF workshops this year – check out this great post by John Joseph Adams for Inkpunks breaking down the different options.

That’s it for me this week. Happy writing!

Luna Station Quarterly Issue 8 Now Available

My drabble Evolve is now available in Issue 8 of Luna Station Quarterly. The full issue is below. Happy reading!

30 Seconds of Self-Promo

We interrupt our weekend radio silence for a special announcement. Ahem...

I just found out my drabble "Evolve" was accepted for publication by Luna Station Quarterly. It will appear in their drabble issue out on December 1st.

Luna Station Quarterly is a magazine focused on speculative fiction written by up and coming women authors. They have some amazing stories available, so check them out.

Also, my short story "The Tradeoff" will be appearing in the Fat Girl in a Strange Land Anthology from Crossed Genres Publications in February 2012. The pretty cover is below.

For your further edification, there's a great post by a fellow author at Following the Lede on why this anthology is so important.

Happy weekend!